While fiber and textiles remain foundational, my multidisciplinary practice includes ceramics, cement, wood, beads, and synthetic hair—materials chosen for their cultural weight and tactile memory. I use these to create sculptural and wearable pieces that explore how the body is adorned, marked, and remembered through traditions like braiding, scarification, and beading.

Guided by oral histories, familial archives, and experimentation, I treat craft as both archive and language. My work challenges colonial perceptions of African aesthetics, reawakening traditional knowledge systems with reverence and reimagination.

At its core, my practice is about connection—between past and present, body and material, personal memory and shared history. It invites audiences into a space of reflection and recognition, particularly those within the African diaspora, but also those encountering these practices for the first time.

How do we carry memory in the body? What does beauty mean across time and culture? And how can material speak when words are not enough?